- HOW TO COPY COPYRIGHTED VHS TO DVD MOVIE
- HOW TO COPY COPYRIGHTED VHS TO DVD SOFTWARE
- HOW TO COPY COPYRIGHTED VHS TO DVD TV
If you mean camcorder recording of a movie to copy it, those copies suck. Of course, Macrovision had the foresight to reportedly patent both the encoding and decoding schemes making (legal) black boxes harder to obtain, not to mention that it “obtained” manufacturer/licensing cooperation from the DCMA requiring the hardware to honor the protection. It appears that, as you noted, a video stabilizer designed to recreate the vertical interval and force all unwanted signals to black level would remove the problem, however it is not clear if a Macrovision immune VCR would be able to successfully record a CopyGuard encoded tape.
HOW TO COPY COPYRIGHTED VHS TO DVD TV
The only other explanations of CopyGuard was that it affected the TV as well and was abandoned because of jittery pictures and bending at the top of the screen. It was not clear whether the second generation copy would have caused sufficient degradation to make it unwatchable or as you have pointed out that the recording VCR could not handle it. Until recently, the only explanations I have found of this long since dead protection system was that it effectively weakened and altered the sync signals (how it does not say) so that the attempted copy would roll excessively making it unwatchable. Thank you so much Roger for providing what I can find as the only explanation of how the original “CopyGuard” anti-copying protection of the late 1970s and early 1980s worked.
HOW TO COPY COPYRIGHTED VHS TO DVD SOFTWARE
Not entirely, but partially, this caused me to shift to software more, giving a couple years head start before the 90s Internet explosion, where new adventures laid. (I was neither mom, nor pop, so I continued earning my princely sum of something like $15/hr). That line of business was about USD$ 90k/month, which was no small thing to lose for a Mom&Pop outfit.
They were legal in their own right under then current copyright law, but Macrovision cleverly had not only patented Macrovision itself, but it also patented (or bought, more usually) all sane methods of /removing/ Macrovision, as well. We eventually got sued by Macrovision and had to quit selling them. (VCR video signal really is horrible irrespective of Macrovision, but at least it had really clean sync after that!) We used those as test tapes, and I’ve seen the first five minutes of those movies sooo many times - “…it’s not a toomuh!” As I recall, the last one we made I designed around the LM1881, which simply gated out the signal. As I recall, “Kindergarten Cop”, “Say Anything”, and “Ghost” were particularly bad. Lol, and many TVs could not cope with stronger ones. Posted in classic hacks Tagged agc, analog, blanking, copy protection, DCMA, drm, Macrovision, TiVo, video, videotape Post navigation It almost makes us nostalgic for the 80s. With Digital Rights Management, it’s easier to put limits on almost anything - coffee makers, arcade games, and even kitty litter all sport copy protection these days. They also messed with the vertical synchronization, and the effect was to make dubbed tapes unwatchable, even by 1985 standards.Ĭopy protection was pretty effective, and pretty clever given the constraints. Normally the VBI has signals that the VCR uses to set its recording levels, but Macrovision figured out that sending extra signals in the VBI fooled the VCR’s automatic gain controls into varying the brightness of the recorded scenes. It used the vertical blanking interval (VBI) in the analog signal, the time during which the electron beam returns to the top of the frame. The idea for Macrovision copy protection was to leverage the difference between what a TV would accept as a valid analog signal and what the VCR could handle. Ironically, Macrovision the company later morphed into the TiVo Corporation. It was dubbed “Analog Protection System” or “Analog Copy Protection” by Macrovision, the company that developed it. If you’ve ever wondered how copy protection worked in pre-digital media, wonder no more. has done a nice primer on one of the main copy protection scheme from the VHS days. But then came The Man with all his “rules” and “laws” about not stealing, and suddenly tapes weren’t so easy to copy. Sure, the video quality degraded with each generation, but it was so bad to start out with that not paying $25 for a copy of “Ghostbusters” was a value proposition.
Oh, for the old days when sailing the seas of piracy was as simple as hooking a couple of VCRs together with a dubbing cable.
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